The Rise of Painting, 1300–1350, the Met’s lovely, inspiriting new exhibition. It’s an erudite show, too, in the finest Met tradition, so I’m doing a two-parter. Last week I wrote about ...
Touch of Evil The Buyer’s-Remorse Feminism of Nightbitch Experiencing Siena in Paint, Ivory, Marble, and Gold Mike Leigh’s Transcendent Hard Truths In November, Americans rejected identity politics.