Ataç argues that the layers of meaning embedded in the Neo-Assyrian palace reliefs go deeper than politics, imperial propaganda, and straightforward historical record. 'There is much in this book that ...
has been working tirelessly to bring Assyrian arts and artists to the the forefront by engaging in high standard and professional presentations, exhibitions and concerts. Nora Betyousef Lacey is ...
The sarcophagus in the tomb chamber contained hundreds of items including jewelry, vessels, ornaments, seals and other goods. The items displayed Syrian and Phoenician iconography in addition to ...
The great stone figures that today grace the Assyrian Gallery of the Bowdoin College Museum of Art were carved more than 2500 years ago for the palaces and temples of Ashurnasirpal II (883-859 B.C.), ...
"The Assyrian empire was at the height of its power during the first half of the first millennium BC, while China's Eastern Zhou Dynasty (770-256 BC) was founded. We mounted an exhibition on the ...
That art, which once adorned a palace wall ... The city of Nimrud, known as Calah in the Bible, became the capital of the neo-Assyrian Empire in 883 B.C., under King Ashurnasirpal II.